NS2 & CMH Present and Charleston City Paper Welcomes:
John Waters - This Filthy World: Dirtier & Filthier
Fri · March 10, 2017
Doors: 7:00 pm / Show: 8:00 pmCharleston Music Hall
$39.50 - Tier 2 | $49.50 - Tier 1
Recommended for Mature Audiences
Association with The Terrace Theatre
Dinner & Show option available for an additional $32
Call for reservations after purchasing Dinner & Show option
Dinner at Vincent Chicco's - (843) 203-3002
Dinner at Virginia's on King - (843) 735-5800
Tickets can also be purchased at Music Hall Box Office:
37 John Street (843) 853-2252 | Monday - Friday (10 am - 3 pm)
Ticketfly Hotline: (877) 987-6487 | Everyday (10 am - 9 pm)http://www.charlestonmusichall.com/event/1393827/
“This Filthy World” is Waters’s rapid-fire one-man spoken word “vaudeville” act that celebrates the film career and joyously appalling taste of the man William Burroughs once called “The Pope of Trash”. Updated and expanded from the original film version that enjoyed critical success at the Edinburgh, Toronto and Berlin Film Festivals, the live performance of “This Filthy World” focuses on Waters’s early negative artistic influences, his fascination with true crime, exploitation films, fashion lunacy, the extremes of the art world, Catholicism, sexual deviancy and a love of reading.
John Waters was born in Baltimore, Maryland in 1946. For those of you who don’t know, Maryland can be a pretty strange place to grow up. Luckily for John, 1960’s Baltimore had a few saving graces. Here he would meet the men and women willing to work in front of and behind the camera on his self-written, self-produced and independently financed movies.
Waters went from a local boy making cheap, underground movies to a local man making counter-culture Hollywood comedies. But don’t be fooled by the veneer – all of his films were shot on location in Baltimore and with very modest budgets. The star power of his post-Hairspray films demonstrate his influence and clout.
Waters writes all his own films, and elements of filth and debauchery exist in all his screenplays. Also present in many of his films is the duality of sincerity and squashed innocence of late 50’s and early 60’s Americana: sweet mothers who make breakfast for a family of four versus cheap girls who have babies in the backs of cars.
John is also an accomplished writer, photographer and visual artist. He has published multiple volumes of his journalistic exploits, screenplay collections, and artwork.
Of course, he is most well known for breaking boundaries of acceptable filmmaking. Drugs, queers, abortion, religion – nothing is sacred in his field of vision. When asked about it, he says “secretly I think that all my films are politically correct, though they appear not to be. That’s because they’re made with a sense of joy.” And perhaps that is why so many people from all around the world take such joy in his movies.
Charleston Music Hall
37 John Street
Charleston, South Carolina, 29403