NS2 & CMH presents:
Thu · April 20, 2017
Doors: 7:00 pm / Show: 8:00 pmCharleston Music Hall
$35 Tier 3 | $45 Tier 2 | $55 Tier 1
Tickets can also be purchased at Music Hall Box Office:
37 John Street (843) 853-2252 | Monday - Friday (10 am - 3 pm)
Etix Hotline (800) 514-3849
VIP Meet & Greet Add On Available Here
Please Note: VIP ackages DO NOT include a regular admission ticket. You must purchase a ticket separately.
- 1 Premium Reserved Ticket
- Meet & Greet with Jonny Lang
- Photo Opportunity with Jonny Lang
- Exclusive Soundcheck Access
- Q&A/Conversation with Jonny Lang
- 1 Custom Pick Set with Tin
- 1 Exclusive Signed Tour Poster
- 1 Commemorative Laminate
Indeed, on any given night, impressively large crowds at a Jonny Lang performance are likely to hear shades of R&B, soul, gospel, hard rock, funk and more. All of it is packaged in a high-octane guitar-and-vocal attack from an artist who has covered countless miles since his teenage years, and continues to explore new horizons with confidence and enthusiasm.
Lang's trajectory over the past two decades has been fascinating to watch. Born and raised in Fargo, North Dakota he was introduced to the Motown sound early on by his parents. Lang got a taste of something a little more fundamental and powerful at age 12, when his father took him to see the Bad Medicine Blues Band, a mainstay of the Fargo club scene. Suddenly, it was all about the blues – and even more importantly, all about the guitar. Within weeks, Lang was taking lessons from Bad Medicine guitarist Ted Larsen. By the time he was 13, he had developed sufficient chops to land a spot in the band.
The group moved to Minneapolis, renamed itself Kid Jonny Lang and the Big Bang, and recorded the independently-released Smokin' in 1995. Lie To Me, the 1997 follow up album propelled by a hit title track, introduced the 16-year-old Lang to a worldwide audience. The young guitarist's affinity for funk, soul and gospel was already apparent on Lie To Me, as well as the Grammy-nominated Wander This World, released in 1998.
During a five-year recording hiatus, Lang stayed busy on the stage. By the end of his teen years, he had already supported world tours for Aerosmith and the Rolling Stones. Other stage credits include tours and/or performances with Buddy Guy, B.B. King, Jeff Beck, Ron Wood, Bono and Sting.
Lang returned with Long Time Comin' in 2003. An amalgam of blues, rock and soul, the album reflected Lang's growing talents as a songwriter and producer.
It all came together three years later with the gospel-influenced Turn Around, the 2006 release that landed Jonny his first Grammy win. "That was an amazing moment in my career," says Lang. "The idea of winning a Grammy had never been one of those things that really lit a fire under me. But then after it happened, I got an understanding of what it really means to go up against some amazing world-class musicians and win."
That all being said, Lang still considers himself to be very much a work in progress – on all fronts, musical and otherwise. "In my own life, music has been such a powerful force, and I know that's the case for a lot of people. I've seen how music can give people the strength to change. After years of witnessing that, it's become more of a focus for me to write songs that really count. I'm a blues musician, but I'm also much more than that," he says. "I'm still growing as an artist and as a person, and I'm always contemplating different ideas as my world view changes. There's still a lot more to do, and I want to accomplish as much as possible while I can.
Lang is currently in the studio working on a new album (his first in seven years) which is due out this fall.
Yes, Sullivan has packed some extraordinary experience into his decade-long career, and that's even more remarkable when you consider that he's only 17. His third studio album, Midnight Highway, was produced by multi GRAMMY® winner Tom Hambridge – who also does double duty as Quinn's studio and road drummer – and will be released on January 27th in North America, and on March 24th in the rest of the world. The album is yet another milestone in Quinn's extraordinary journey, which began with him jamming with the kids music combo Toe Jam Puppet Band at age three, appearing on Ellen when he was six, and being taken under the wing of blues legend Buddy Guy at age eight, whose protégé he remains to this day.
Quinn's age and enduring relationship with Buddy Guy is certainly notable, but so too is his total dedication to his craft. "I wanted to see how far we could get musically on this album. I had a lot more creative input on this one and was more active in writing, so it's something of a mixture. I didn't want to completely break away from the blues – that'll always be my home ground – but I just wanted to stretch out. Mastering the vocals was important too and was the result of a lot of playing and touring, and studying with a vocal coach. I'll admit I hit an awkward stage with my voice when it was changing a few years ago, but I like the way things have worked out so far."
Quinn confides, "My major goal as an artist is to get into songwriting more," and he's well on his way with Midnight Highway, for which he had a hand in writing three of the stand-out tracks, "Eyes For You", "Lifting Off" and "Going." One of the other songs that Quinn tackled is George Harrison's "While My Guitar Gently Weeps." While Quinn will forever be rooted in the blues, he's extremely passionate about The Beatles, so every effort was made to replicate the Harrison classic as faithfully as possible. Producer Tom Hambridge remarked, "We really tried to make it sound like it was off the White Album, so we researched everything about the track, where the mic placement should be, how to get the organ to sound like the original. Quinn is such a huge Beatles fan so, of course, he really loved the process."
The album was recorded primarily at Nashville's prestigious Blackbird Studio with some of the greatest players in Nashville, including many of the same musicians who played on the Buddy Guy albums that Hambridge produced. These include bassists Michael Rhodes and Tom Macdonald, guitarist Rob McNelley, and keyboard player Reese Wynans, a veteran of Stevie Ray Vaughan's Double Trouble. Hambridge notes, "Quinn was anxious to make an album the way I make those Buddy Guy albums, and he did, in fact, tear it up. Quinn felt the mojo and he 'brought it' in a big way."
As a young child, Quinn was brought to numerous festivals and concerts by his music-loving parents. He was the "kid with the guitar " in the audience, who would strum along with what was happening on stage. Through videos, Quinn became enamored with Buddy Guy, so his Dad made arrangements for him to meet his idol when Guy came to his hometown. Backstage before the show, he asked Buddy to autograph his guitar which, of course, he did — but on condition that the boy play it for him. That led to Buddy calling Quinn onstage to join him during his set and an unlikely, though solid bond was then formed between the great Chicago bluesman and the eager youngster from Massachusetts.
Tom Hambridge calls Quinn "a sponge who soaks up everything that's around him," adding, "he's listening all the time and he just so happens to be around great artists. Every time he plays, it's a little deeper. Buddy Guy is, of course, his mentor, so he channels Buddy's over-the-top reckless abandon." That's completely understandable, as Buddy has, more than once, advised Quinn, "Just go out there and show them why you're here… make them remember you."
Off stage, Quinn is well aware of the unique opportunity he's been afforded and is focused on music as an ongoing pursuit. He contrasts his experience with many of his contemporaries' – "They're struggling to come up with what they're going to do when they're out of school, but I've decided this is what I'm going to be doing for the rest of my life."
Charleston Music Hall
37 John Street
Charleston, South Carolina, 29403