Stop Light Observations

Charleston Music Hall Presents:

Stop Light Observations

SondorBlue, Rare Creatures

Sat · February 17, 2018

Doors: 7:00 pm / Show: 8:00 pm

$20 - Individual | $52 - Dinner & Show

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Dinner & Show option available for an additional $32 

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Dinner at Vincent Chicco's - (843) 203-3002

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Stop Light Observations
Stop Light Observations
John Keith Culbreth (aka Cubby) was 16 years old—no longer the religious child he had been back in his childhood days spent in Anderson, SC—but was, unknowingly, poised for a divine intervention of life-altering proportions. While peacefully sleeping after a classmate's musical performance, an entity presented itself to Cubby—the entity presented itself as God. "It was the most vivid dream I had ever had," says Cubby. "It felt so bizarre." "God" spoke to Cubby. It told him to contact his classmate, Will Blackburn, and come together to create music. Cubby obliged, Blackburn agreed, and the band proceeded to practice for over a year, never playing a show.

Stop Light Observations' inaugural performance took place on Sullivan's Island. Among the crowd was Cubby's childhood pastor—a man with whom he had once had a close relationship. As it turns out, Cubby's former pastor was Will Blackburn's grandfather. Divinity had served up fate. Cubby and Blackburn had been childhood friends, but never knew it. SLO was born, and the sky was the limit.

But things didn't truly take off until a few years later when SLO released their acclaimed 2013 debut, Radiation. Metronome hailed the record's "emotive and elegant" songs, which landed perfectly in the sweet spot between arena and indie rock. The band went from relative unknowns to playing Bonnaroo and selling out Charleston's largest club, The Music Farm, in just a year.

Since then, Stop Light Observations have broken the record for most consecutive sold-out shows at The Music Farm and have toured across the country, playing standout festival sets at Firefly, Summerfest, and more. SLO's most recent LP, Toogoodoo, saw coverage at major national outlets from PBS and Conan O’Brien’s Fresh Noise to Impose, PopMatters and Garden & Gun, the latter praising Toogoodoo as "a promising debut from the band, who have wowed audiences throughout the South.”

Now, following the successful release of Toogoodoo, and an ambitious year on the road in support, Stop Light Observations are poised to tackle their next major endeavor—an ongoing series of digital 45s, each with an A-side and B-side, entitled The Volume, which will disperse the band’s hard-hitting yet melodic songs in a more immediate fashion.

"The Volume is much more than just bypassing the mechanics of an album," Cubby explains. "Its about inspiring ourselves and others with this approach that lends itself to complete creative freedom. The Beatles released 250-plus songs in 7 years without the technology we have today. If they can do it, why can't we?"

At the center of the first volume is Stop Light Observations' new single, "Coyote." It’s a stunning, slow-building piano ballad that evolves strikingly through distinct dynamic phases, vocalist Will Blackburn's effortlessly toggling between a delicate croon and an anthemic howl. With "Coyote," the group distills its already potent arena-ready indie rock all the way through the song's powerful crescendo of an outro.

Thematically, “Coyote” deals with loss—something the entire band has coped with many times over the years. "The situations and emotions behind our songs are extremely personal," SLO guitarist Louis Duffie explains.

Cubby adds, "When I was 15, I started dating my childhood sweetheart—who is now my wife—and after our first year of dating we received the earth-shattering news that her best friend, Lizzy, had committed suicide. She was the sweetest, happiest, and kindest girl in our entire high school and to believe she would take her own life was unfathomable. 'Coyote' is that story for me—the story of the pack animal, still feeling alone despite its family joining in its howls of pain. It is the girl with the bright smile taking her life—the fallen angel. It's the first time you meet up with all your friends and that person you all loved so much isn't there."

The first installment from The Volume also offers up "The Ghost of Larry Ford Jr.," an instrumental track that tackles the next step of loss: the frustration, anger and anxiety of letting go, all seamlessly communicated sans lyrics. The stylized, labyrinthine track sounds like a Wes Anderson films looks, along the way deftly mapping the chaotic trajectory of a mind in mourning.

Stop Light Observations may be blazing their own trails, but they want everyone to join them on their journey—fans, friends and family, past and present. "The Volume releases will ultimately be defined as a series—a voice for the voiceless. A podium for those who have yearned for the opportunity to share their own stories of struggle, passion, and love," vocalist Will Blackburn explains.

"We live in an era of polar divisions perpetuated by fear," Blackburn continues. "And the divide seems to be growing exponentially. But if we turn off the cable news channel and walk out our front doors and speak to our neighbors, we may find that our struggles, while they vary, are often quite relatable. It is my hope that trough this style of releasing music that we may open up the conversations that need to be addressed most in today's America. All are equal and all opinions should be heard with hopes of perpetuating peace and understanding. Love is the way and this is the path we have chosen to move forward."
SondorBlue
Named after the realization that each random passerby is living a life as vivid and complex as your own, SondorBlue’s music brings together people of all different backgrounds. From Charleston, South Carolina, SondorBlue is comprised of three vocalists — Andrew Halley, lead vocals and bass guitar, John Sheehan, keyboard and acoustic guitar, and Connor Hollifield, electric guitar — with drummer, Drew Lewis, keeping a clockwork backbeat. The band met as kids in Hilton Head Island, but it wasn’t until 2016 that they came together to form SondorBlue. Their 2017 EP, “You Will Find Love On Ashley Avenue” was inspired by their times living together in a house on Ashley Avenue, and has received praise from The Huffington Post, Relix Magazine, Guitar Player Magazine, Culture Collide, and What Youth.

From TIME Magazine in the US to THE GUARDIAN in the UK, people are talking about the return to this free-thinking way of life. While SondorBlue is a rock band writing tight pop songs, they share the relentless touring schedule, the fan culture and the raw musicianship of artists on the ever-expanding jam band scene.

Connor explained of the arrangement “We had all had our own songwriting side projects when we were younger, but when we came together to play music — that's when we were the happiest.” Sheehan added “I wanted to share this experience with my best friends. I knew we could go a lot further together than any of us could alone.”

If longevity for bands is determined by their ability to pull off their recorded material in a live setting, then SondorBlue is set up for a long, fruitful career. They have been aggressively touring all along the East Coast and make pulling off their complex harmonies and playing their intricate arrangements look easy. The band loves to play live. “It is one of my favorite things,” says Lewis. “It has been great to watch the songs develop as we take them out of the studio and onto the stage.”

SondorBlue are poised for big things in the future. Look for them at a venue near you.
Rare Creatures
THE STORY SO FAR...
Formed initially as an experiment in diverse songwriting, Rare Creatures has grown into a full on rock spectacle. Their sound navigates between heavy synth rock and melodic acoustic rhythms seamlessly from song to song, switching it up around every corner. Influenced by bands from Alt-J to King Gizzard and the Lizard Wizard, with some ethnic spices sprinkled in for good measure. The group is fronted by Coleman Sawyer on vocals and guitar, with Hugh Camp on bass and synthesizer, Keller James on lead guitar, and Logan Crank banging the drums. Recordings are forthcoming, and will be released in 2018.
Venue Information:
Charleston Music Hall
37 John Street
Charleston, South Carolina, 29403
http://charlestonmusichall.com/