NS2 & CMH present:
Blues Traveler: Accelerated Nation Tour
Wed · October 17, 2018
Doors: 7:00 pm / Show: 8:00 pmCharleston Music Hall
$42.50 Tier 3 | $52.50 Tier 2 | $62.50 Tier 1
Public on sale: Friday, June 29 at 10AM EST
Every ticket for this show includes a digital download of Blues Traveler’s forthcoming album. You will receive an email with more details about this offer approximately 7 days after your purchase.
Dinner & Show option available for an additional $32
Call for reservations after purchasing Dinner & Show option
Dinner at Vincent Chicco's - (843) 203-3002
Dinner at Virginia's on King - (843) 735-5800
Tickets can also be purchased at Music Hall Box Office:
37 John Street (843) 853-2252 | Monday - Thursday (12 pm - 6 pm) Friday (10 am - 6 pm)
Ticketfly Hotline: (877) 987-6487 | Everyday (10 am - 9 pm)https://www.charlestonmusichall.com/event/1715630/
Entitled, Hurry Up & Hang Around, the 12-track opus finds the band re-energized and laser- focused stirring up an intoxicating brew of rowdy rock, smoky psychedelica, southern folk, staggering soul, and brash blues.
For the first time ever, the members of the GRAMMY® Award-winning group, featuring John Popper (vocals, harmonica), Chan Kinchla (guitar), Tad Kinchla (bass), Ben Wilson (keyboards), and Brendan Hill (drums) decided to rent a house in Nashville to write and record with GRAMMY® Award-winning producer Matt Rollings (Willie Nelson). Rollings’ intense attention to detail unlocked a rich sonic spectrum as he challenged and pushed each member to excel without compromising or taking “no” for an answer.
“We were going through some changes as far as our infrastructure goes,” admits Popper. “We parted ways with two different managers. No preparations had really been made, and it seemed like it might be too late to make new music. Between taking meetings, we were by ourselves writing in the garage every day of this Nashville house. That was pretty cool, because we felt like a garage band again. There was a spirit of survival. We had something to celebrate, so we really came together as a band.”
“Matt put it all on turbo boost, because he’s one of the finest producers we’ve ever worked with, period,” adds Popper. “He can bring out any sound he wants. He got takes out of me that I couldn’t ever get out of myself, and I’ve tried. However, he also let me be me. It’s one of the best production experiences we’ve ever had. It was an unexpected musical education.”
About BLUES TRAVELER:
Since 1987, the GRAMMY® Award-winning group, featuring John Popper [vocals, harmonica], Chan Kinchla [guitar], Tad Kinchla [bass], Ben Wilson [keyboards], and Brendan Hill [drums]—have penned some of the biggest singles to hit the airwaves. The quintet kicked off their career with a trifecta of gold-certified albums, including Blues Traveler , Travelers and Thieves , and Save His Soul . 1994’s Four represented a major breakthrough, earning a six-times platinum certification and yielding classics such as “Hook,” “The Mountain Wins Again,” and the ubiquitous “Run-Around”—which earned a GRAMMY® for “Best Rock Performance By a Duo or Group.” Continuing that hot streak, 1998’s Straight On Till Morning also went platinum. Throughout the 2000’s, they prolifically unleashed albums and toured relentlessly, selling out venues worldwide and building something of a legend.
That level of urgency resonates throughout Far From Home, Animal Years' first eOne release. The five-song EP -- produced by Ryan Hadlock, renowned for his work with the Lumineers, Brandi Carlile and Vance Joy -- offers a consistently compelling distillation of the Brooklyn-by-way-of-Baltimore trio's irresistibly anthemic, unfailingly uplifting songcraft, which ranges from the fist-pumping infectiousness of "Caroline" to the introspective warmth of "Friends" to the bittersweet buoyancy of "Home (I Was Born)." McFadden's catchy, emotionally direct songwriting is matched by the band's exuberant performances, which combine McFadden's openhearted vocals and surging acoustic guitars with the punchy rhythmic kick of bassist Anthony Saladino and drummer Anthony Spinnato.
"Someone once described us in a review as 'singer-songwriter music with the amps turned up,'" McFadden notes. "The emphasis is on the songs and the songwriting, but we're definitely a rock band. Even if I'm playing an acoustic guitar, I'm playing it through an amp with the distortion on. We're always gonna be louder than the other bands on the bill."
Far From Home's memorable compositions and high-energy performances make it clear why Animal Years has already earned a fiercely loyal grass-roots fan base. Without the benefit of a mainstream record label, the band has built its audience the old-fashioned way: through dogged roadwork, winning over one fan at a time.
"When we moved to New York, we hit the city really hard, and things just grew organically," McFadden explains. "We naturally evolved from small clubs to bigger ones, and from small tours to bigger tours, with more people coming out each time. Everything has happened really organically, through us just being ourselves and trying to be as honest as we can."
The thee bandmates and producer Hadlock recorded Far From Home in the remote environs of Applehead Studios in Woodstock, NY, far from the band's normal urban surroundings.
"We really wanted to isolate ourselves in a place with no distractions other than making the record," McFadden explains. "So we all went up to Woodstock and worked in this great studio in a rebuilt barn. We've been demoing stuff for years, but this is the first time the three of us had made a record together. Ryan was really great to work with, and I think that he really brought out the best in us. It was great recording out there in the middle of nowhere; we'd record 12 hours a day, and then all hang out at night."
Far From Home showcases McFadden's knack for writing forthright songs that cut to the chase, lyrically and melodically. "On this EP, I wanted to write things that everyone can relate to," he asserts. "Sometimes lyrics can be open to interpretation, but for the most part I want people to know exactly what I'm talking about. All of these songs were written on the road, so a lot of the themes are about being away from home and missing people, and not taking people for granted.
"We had four songs that we really liked for the EP, but we knew that we needed one more that would really grab people's attention," he continues. "I was driving back from North Carolina, right at the end of a tour, and I wrote 'Caroline' in the car. Within ten minutes, I had pulled over to the side of the road and recorded the whole thing into my phone. A couple of days later, we made a rough demo, and everybody who heard it said 'Yeah, that's the one.' It's the song that got the attention of our record label, and now it's the first single from the EP."
The unpretentious attitude and hard-driving work ethic that define Animal Years were established early on, when Mike McFadden first began writing and performing his own songs in his mid-teens, releasing his first studio CD under his own name while still in high school in Baltimore. That inaugural effort won a good deal of attention, and even gained some local radio play. A second CD, released when McFadden was 18, was even better received by fans and local radio programmers, and soon his songs were being picked up for use in commercials from such advertisers as Coca-Cola and Pennzoil.
"That was the driver for me to think about quitting my job in Baltimore and going to New York to start Animal Years," McFadden recalls. "Before I moved to New York, I did another solo album, The Sun Will Rise. At that point, Anthony the bass player suggested that we find a drummer and make it into a band, so we rebranded the CD as an Animal Years release.
"It became a real band really quickly," McFadden reports. "When we started the band, we were all working jobs to raise money to make it happen, so we could afford to go on the road and into the studio. The guys started taking an equal part of the work, and everybody started contributing. It took some getting used to, but it was good not being alone and not having to do everything myself. The songwriting is still the same, because that's still me, but everyone's invested in this partnership and we're all getting something out of it."
Animal Years' timely relocation to New York proved to be a crucial turning point for the band. "The music scene in Baltimore is really big and varied, but I never felt like we ever really fit in there," says McFadden. "When we got to New York, we felt a lot more at home and got a much better reception. In New York, there're more people, there're more opportunities, there're more venues. You can play a few nights a week and still never run out of places to play."
Having already established themselves in their adopted hometown and having won a legion of new friends and fans on the road, Animal Years plan to continue doing what they do best: making music and touching people.
"We're planning on hitting the road super-hard," McFadden affirms. "We're definitely willing to put in the work, and make it happen by any means necessary. That's the only way you can do it these days. There are so many other people who are working as hard as you are, so you just have to work twice as hard."
Charleston Music Hall
37 John Street
Charleston, South Carolina, 29403