w/ Special Guest Anthony D’Amato
DOORS: 7:00PM / SHOW: 8:00PM
$49.50 - $75
With five GRAMMYs, 14 Blues Foundation Awards, and a groundbreaking career spanning nearly 50 years under his belt, Keb’ Mo’s got nothing left to prove. Just don’t tell him that.
“I may be turning 70,” Keb’ reflects, “but I’m still breathing and I’m still hungry. I’m still out there going for it every single day.”
Born and raised in Compton, Keb’ began his remarkable journey at the age of 21, when he landed his first major gig playing with Jefferson Airplane violinist Papa John Creach. For the next 20 years, Keb’ would work primarily behind the scenes, establishing himself as a respected guitarist, songwriter, and arranger with a unique gift for linking the past and present in his evocative playing and singing. In 1994 he would introduce the world to Keb’ Mo’ with the release of his widely acclaimed self-titled debut. Critics were quick to take note of Keb’s modern, genre-bending take on old school sounds, and two years later, he garnered his first GRAMMY Award for Best Contemporary Blues Album with Just Like You. In the decades to come, Keb’ would take home four more GRAMMY Awards; top the Billboard Blues Chart seven times; perform everywhere from Carnegie Hall to The White House; collaborate with many including Taj Mahal, Willie Nelson, Bonnie Raitt, The Chicks, and Lyle Lovett; have compositions recorded and sampled by artists as diverse as B.B. King, Zac Brown, and BTS; release signature guitars with both Gibson and Martin; compose music for television series like Mike and Molly, Memphis Beat, B Positive, and Martha Stewart Living; and earn the Americana Music Association’s 2021 award for Lifetime Achievement in Performance.
In addition to his extraordinary musical output, Keb’ also established himself as a captivating onscreen presence over the years, appearing as himself in Martin Scorcese’s The Blues, Aaron Sorkin’s The West Wing, and even the iconic children’s series Sesame Street. He flexed his acting chops in a wide variety of projects, as well, portraying Robert Johnson in the 1998 documentary Can’t You Hear The Wind Howl, Howlin’ Wolf on CMT’s Sun Records, and the ghostly bluesman Possum in John Sayles’ 2007 film Honeydripper. A fixture on late night TV and award show stages, Keb’ has also performed on Letterman, Leno, Conan, Colbert, and Austin City Limits in addition to appearing on nationally televised broadcasts from The Kennedy Center, The Ryman Auditorium, and Eric Clapton’s Crossroads Festival.
A passionate philanthropist and outspoken activist, Keb’ has helped raise hundreds of thousands of dollars in support of social, environmental, and racial justice throughout his career. As a celebrity mentor with The Kennedy Center’s Turnaround Arts Program, which began under the guidance of First Lady Michelle Obama and the President’s Committee for the Arts and Humanities, Keb’ “adopted” The Johnson School for Excellence in Chicago, where he teamed up with teachers, students, and parents to help develop a thriving arts education program, and as a longtime ambassador for the Playing For Change Foundation, he’s supported the non-profit from its early days in its quest to provide free music education and basic needs like food, water, medicine, clothing, books, and school supplies to children around the world.
After more than a decade in New York City, Anthony D’Amato headed west for his new album, At First There Was Nothing, relocating to American Fork, Utah, for recording sessions in the autumn and winter with acclaimed songwriter and producer Joshua James. Bristling with joyful energy and piercing insight, the record marks D’Amato’s first full-length collection in six years, and the growth is palpable, with sprawling, unpredictable arrangements accompanying some of his most gripping and incisive lyrical work yet. Drawing on everything from hazy ’60s soul to rootsy ’70s rock and roll, the songs are loose and playful here, even as they grapple with faith and trust, mortality and loss, resilience and regret, all set against sweeping sonic backdrops every bit as epic and rugged as the landscapes that inspired them.
Born and raised in New Jersey, D’Amato first rose to international attention with the ‘The Shipwreck From The Shore,’ his 2014 debut for New West Records. Inspired in part by time spent studying with the Pulitzer Prize-winning Irish poet Paul Muldoon, the album garnered rave reviews on both sides of the pond, with NPR inviting D’Amato for a Tiny Desk Concert and lauding that “he writes in the tradition of Bruce Springsteen or Josh Ritter,” and Uncut proclaiming that his songwriting “echoes with early Bob Dylan.” D’Amato followed it up in 2016 with the Mike Mogis-produced ‘Cold Snap,’ which earned him his first national TV appearance along with an Artist You Need To Know nod from Rolling Stone, who hailed his writing as “folk music raised on New Jersey grit.” In 2017, D’Amato released a collaborative EP titled Won’t You Be My Neighbor?, which raised more than $10,000 for refugee aid, and in 2019, he returned with the Five Songs From New Orleans, a stripped-down acoustic collection that earned even more praise from Billboard to Rolling Stone. Along the way, D’Amato toured extensively across the US and Europe, sharing bills with the likes of Ben Folds, Valerie June, Keb’ Mo’, The Felice Brothers, American Aquarium, and many more.
venue covid policy
Based on the latest local guidelines, attendees are not required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Attendees are also not required to wear a mask. Be sure to check your venue website for the latest updates and guidelines as entry requirements are subject to change.
Charleston Music Hall
37 John Street
Charleston, South Carolina, 29403