Rodrigo y Gabriela
Rodrigo y Gabriela Bio
Grammy Award winning duo Rodrigo y Gabriela grew up on an eclectic mix of classic rock, heavy metal and flamenco, a rare alchemy of influences that still informs their work today. Not long after the dissolution of their first band, the two musicians set off with their acoustic guitars and ended up in Ireland, where they soon ran out of money and began busking on Dublin’s Grafton Street — a turn of events that led to their crossing paths with Irish singer/songwriter Damien Rice, who then asked them to open for him at an early headline show. As they developed their distinct breed of guitar music, Rodrigo y Gabriela quickly gained recognition for their extraordinary live show and made their full-length debut with 2002’s re-Foc. Along with turning out 8 additional acclaimed and kaleidoscopic albums over the years: including Area 52 (a 2012 effort made with a Cuban orchestra), 9 Dead Alive (a 2014 release that spotlighted their more rock-leaning sensibilities) and the 2020 Grammy winning Best Contemporary Instrumental Album, Mettavolution, the duo has cemented their status as a globally renowned live act. Among their many successes: performing at The White House for the President and First Lady of Mexico at a 2010 event hosted by Barack Obama; headlining the Jazz World stage at Glastonbury; selling out major venues like the Hollywood Bowl, Red Rocks Amphitheatre, London’s Royal Albert Hall, Radio City Music Hall, and the Sydney Opera House; and performing to massive crowds in such far-flung cities as Tokyo and Paris. 2023 sees the release of their most ambitious project yet, the Advaita Vedanta inspired In Between Thoughts…A New World, which features their signature dual guitar attack augmented by a full orchestra, and a corresponding world tour.
Okan Bio
Fusing Afro-Cuban roots with jazz, folk and global rhythms in songs about immigration, resistance and love, OKAN takes their name from the word for heart in their Afro-Cuban religion of Santeria. With vocals in Spanish, English and Spanglish, OKAN is led by the Cuban-born violinist and vocalist Elizabeth Rodriguez and percussionist and vocalist Magdelys Savigne, both Grammy and Latin-Grammy nominees.
Having recently worked with Bomba Estereo, Lido Pimienta, and Dayme Arocena, OKAN’s Juno-winning sophomore release Espiral debuted in first place on Canada’s !Earshot charts and was included in NPR’s top 10 Alt Latino and CBC Music’s top 20 of that year.
Passionate advocates for freedom of expression, queer rights and gender equality, OKAN has gained a reputation for their powerful live performances, which showcase their incredible harmonies, virtuosic musicianship, potent lyrics as well as an unfailing ability to connect with audiences on a deep emotional level.
Embracing genres that have not historically fostered women artists outside of the role of singer, OKAN co-leaders have faced many challenges. Magdelys talks about the obstacles she faced in pursuing percussion in her native Cuba and how “coming out as a percussionist” to her family. was as big a deal as coming out as queer. Part of the next wave of Cuban women composers and multi-instrumentalists, Elizabeth and Magdelys bring a fresh perspective to Latin and world jazz fusion through their powerful harmonies, elevated musicianship and provocative but playful lyrical content.
Born in Havana, Cuba, Elizabeth Rodriguez is a classically trained violinist who served as concertmaster for Havana’s Youth Orchestra. Magdelys Savigne hails from Santiago de Cuba and graduated with honors in orchestral percussion from Havana’s University of the Arts.
Called “lush and vibrant, urgent but specific and deeply intentional” by CBC Music, OKAN’s second album Espiral delved deeper into the group’s rich Cuban roots, finding renewed inspiration in this powerful musical heritage. The Santeria influences are most evident in the title track, which uniquely blends guajira, the folk genre of Eastern Cuba, with Santeria-derived chants.
A new album, Okantomi, to be released in the fall of 2023, includes special guests as classical violinist Lara St. John, leading figures in Cuban jazz, Dayme Arocena and Elmer Ferrer as well as the legendary Afro-Cuban percussionist Amado Dedeu.
Official showcases at SXSW, Folk Alliance International, Mundial Montreal, Contact East, Folk Music Ontario, Pacific Contact, Ontario Contact and Global Toronto have led to invitations to perform across Canada and the U.S. with stops at The Kortright Centre (Vancouver), The Grand (Calgary), Hermann’s (Victoria), Passim (Boston), Old Town School of Folk (Chicago), Cal Performances (Berkely), as well at the Blue Skies, Mariposa, Toronto Jazz, Exit Next, Nuit D’Afrique, Harrison and Middlebury festivals, to name just a few.